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                | 2648: Church 
                  of the Advent, Boston, Massachusetts, USA | 
             
            
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                 Mystery 
                  Worshipper: Orthodox Mutt. 
                  The church: 
                  Church 
                  of the Advent, Boston, Massachusetts, USA. 
                  Denomination: 
                  The 
                  Episcopal Church, Diocese 
                  of Massachusetts. 
                  The building: 
                  Completed in 1888, it is work of a parishioner, John Hubbard 
                  Sturgis. Proportionally it feels a bit strange, as the space 
                  is taller than it is long, and it is also rather narrow. The 
                  chancel is narrower still than the nave, making the full complement 
                  of people and equipment assembled in it rather cramped. But 
                  the attention to detail in the space is extraordinary. Two fixtures 
                  immediately catch one's attention: the magnificent high altar 
                  and reredos, and the great rood, which is suspended in front 
                  of the chancel in the crossing. Above the chancel on the north 
                  side sits the organ. Under the organ is the All Saints chapel, 
                  which is home to the original altar, and opposite it on the 
                  south side lies the Lady chapel, where the Blessed Sacrament 
                  is reserved. There are also galleries at the ends of both of 
                  the short transepts, from which the choir sings on occasion 
                  (though not this occasion). The magnificent baptistery is located 
                  in the west end on the south side of the nave. It is worth noting 
                  that there is absolutely no artificial amplification in the 
                  church, so everyone must project when speaking. 
                  The church: 
                  To call this community high-church would be totally inadequate. 
                  Though I will detail more about the liturgy itself later, I 
                  half expected to turn around and see Benedict XVI sitting in 
                  the pew next to me. This is a parish that likes traditional 
                  liturgy done right, and it is also a very friendly place. The 
                  church's website has a thorough history of the parish, as well 
                  as historical photographs and architectural details. 
                  The neighborhood: 
                  The church sits just a couple of blocks away from Boston Common 
                  in the Back Bay neighborhood of Boston, and it is surrounded 
                  be gorgeous row houses and historic buildings, making it a perfect 
                  setting. The church is nestled in a sea of side streets, making 
                  it quite charming, or at least I imagine it would be if not 
                  for having to climb over snow drifts so kindly deposited by 
                  the nor'easter earlier in the week. 
                  The cast: 
                  The mass was celebrated by the rector, the Revd Allan B. Warren 
                  III, assisted by the Revd Samuel L. Wood, associate rector, 
                  acting as deacon. The subdeacon was not named. The Revd Deacon 
                  Daphne B. Noyes preached the sermon. Mark Dwyer, organist and 
                  choirmaster, conducted the choir and played much of the service 
                  music himself, although Ross Wood, associate organist and choirmaster, 
                  and an unnamed organ scholar played some of the music. There 
                  were a crucifer, two acolytes, a thurifer, a lay chalice bearer 
                  (who appeared to act at some sort of master of ceremonies also), 
                  and a verger. I found it odd that the chalice bearer, not the 
                  verger, facilitated the gospel procession, which is why I classify 
                  him as something of an MC. I should also point out that his 
                  overly pleated and lace-coated surplice clashed conspicuously 
                  with the more modest vestments of the others. It seemed totally 
                  out of place and inappropriate for the service. 
                  The date & time: 
                  Second Sunday after Christmas Day, January 5, 2014, 11.15am. 
                   
What was the name of the service? 
                  Solemn Mass. 
                   
How full was the building? 
                  It was not particularly full, perhaps 100 people at most. There 
                  were a surprising number of clergy in the congregation who, 
                  from what I could tell, were not associated with the parish 
                  in any official capacity. 
                   
Did anyone welcome you personally? 
An usher greeted me at the west door and handed me a leaflet.  I was one of very few to use this entrance.
  
Was your pew comfortable? 
There was so much to love about this church, but sadly the pews were not one of them.  They are exceedingly old and as uncomfortable as they look.  The kneelers are worse still, which, as I later discovered, was more problematic than it would usually be.
  
How would you describe the pre-service
atmosphere? 
                  I was one of the first to arrive, and the choir were still rehearsing 
                  at the time. There was a fair bit of activity going on in the 
                  sanctuary in preparation for mass, and there was still a cloud 
                  of smoke in the air from the previous service. As people trickled 
                  in, they greeted one another quietly. But almost all conversation 
                  stopped when the prelude, Louis Vierne's Clair de Lune, 
                  op. 53, no. 5, began. There was a pause of approximately a minute 
                  between the end of the postlude and the beginning of the opening 
                  hymn. 
                   
                  What were the exact opening 
                  words of the service? 
                  Following the procession, the choir began with the introit, 
                  the cantor intoning "Dum medium silentium tenerent omnia, 
                  et nox in suo cursu medium iter haberet" (While all 
                  the world was in profoundest quietness, and night was in the 
                  midst of her swift course) (Wisdom 8:14). At the conclusion 
                  of the introit, the priest spoke the opening acclamation:"Blessed 
                  be God: Father, Son, and Holy Spirit." 
                   
                  What books did the congregation 
                  use during the service? 
                  The Hymnal 1982 and the Prayer Book 1979 were 
                  used, and the service leaflet contained the propers, hymn numbers, 
                  etc. 
                   
What musical instruments were played? 
                  The magnificent Aeolian-Skinner pipe organ, opus 940 (1936), 
                  designed by G. Donald Harrison (a member of the congregation), 
                  was put through its paces through the course of the service. 
                  In its current form, the organ has three manuals, 57 stops, 
                  and 77 ranks. 
                   
                  Did anything distract 
                  you? 
                  It comes as no surprise that, at this glorious time of year, 
                  everyone seemed to be sick  there was much coughing and 
                  sneezing from all directions. At one point, there was a loud 
                  crashing noise coming from the roof over the south transept, 
                  which I later discovered was falling ice and snow from the warming 
                  weather. And finally, there were the so-called manual acts of 
                  piety. It was a rare treat to see such participation from the 
                  congregation, but I am listing this as a distraction because 
                  the congregation may have taken them a bit too far. More than 
                  one person turned the customary nod at the name of Jesus into 
                  a full blown profound bow, which (especially during the gospel) 
                  was very distracting indeed since the name was in nearly every 
                  other sentence. Scale it back a bit, folks  we know you're 
                  all good Christians already.
  
  
                   
                  Was the worship stiff-upper-lip, 
                  happy clappy, or what? 
                  I don't think it's possible to be more stiff-upper-lip than 
                  this. Even Pope Benedict would probably have preferred this 
                  to the Vatican. In the Anglican sense, this was a solemn high 
                  mass. The processions were led by a rather zealous thurifer, 
                  whose swings reached nearly 180-degrees, billowing incense in 
                  all directions. All three sacred ministers were dressed to the 
                  hilt in glorious vestments, and the altar frontal matched. And, 
                  as if all of that were not enough, I was taken aback (though 
                  absolutely thrilled) when the entire congregation genuflected 
                  in perfect synchronization at the incarnatus during 
                  the creed, which was sung. In fact, virtually everything that 
                  could be sung was sung, including the gospel reading and the 
                  Lord's Prayer. In short, this was Anglo-Catholicism at its finest. 
                   
Exactly how long was the sermon? 
                  17 minutes. 
                   
On a scale of 1-10, how good was the preacher? 
6  Deacon Noyes was rather difficult to listen to for such a long stretch of time.  She kept repeating the theme for the sermon, which was linguistically awkward, and the whole thing was a little too rehearsed, and obviously much of it was read directly off the page.
  
In a nutshell, what was the sermon
about? 
The theme was "Don't speak while God is interrupting."  In essence, God speaks to us in the middle of our lives, taking us where we are and interrupting the normal flow of things.  We must learn to recognize his speaking to us in order not to miss his plan, and when we fail to do so, we end up "talking over" God, not allowing him to steer us in the right direction.
  
                  Which part of the service 
                  was like being in heaven? 
                  The attention to detail was extraordinary. And if you want an 
                  idea of how precise this parish is, visit the website and click 
                  on the Liturgical 
                  Customary link. That's right, they publish their entire 
                  customary online. This liturgy has not changed in a VERY long 
                  time, so they have had time to get it right. And the fact that 
                  everything was sung was truly extraordinary. The musical caliber 
                  of this parish is virtually unrivaled. The choir's rendition 
                  of Harold Darke's In the Bleak Midwinter was as fantastic 
                  as I have ever heard it, and I have sung it myself a few times. 
                   
                  And which part was like 
                  being in... er... the other place? 
                  This is a bit of an issue of personal taste and devotion, but 
                  immediately following the recessional hymn, the celebrant dove 
                  into the Angelus from the baptistery I will admit that it was 
                  done flawlessly, complete will bell ringing. However, not being 
                  an Anglican of particular Marian devotion, I'm not totally comfortable 
                  with the idea. Also, though not explicitly bad, I did find it 
                  unusual that the entire distribution of holy communion was accompanied 
                  by improvisation by one of the organists. No hymns were sung, 
                  and the anthem was not sung until after the end of distribution, 
                  as the clergy completed the ablutions at the altar. 
                   
What happened when you hung around after the service looking lost? 
                  As soon as the Angelus was concluded, the organ scholar dove 
                  into the postlude, for which virtually everyone stayed and remained 
                  quiet. I have never seen such behavior after a service! But 
                  it was certainly well worth it. She played Louis Vierne's Toccata 
                  in B-flat Minor, op. 53, no. 6, with great passion. After 
                  it was concluded, everyone filed out quickly and quietly while 
                  I spoke with the organist, who had been seated directly in front 
                  of me for the postlude. 
                   
How would you describe the after-service
coffee? 
Although I know that there was some sort of reception because the names of those assigned to furnish it were printed in the leaflet, I was not able to locate it, and as all but one of the doors had been locked by the time I went looking, I simply took my leave.
  
How would you feel about making this church your regular (where 10 = ecstatic, 0 = terminal)? 
                  9  I have always thought of moving to Boston one day, 
                  so it is a genuine possibility that I could make this my church 
                  home eventually. In the meantime, I don't think any visit to 
                  Boston will be complete without a stop at this gem of a church. 
                   
Did the service make you feel glad to be a
Christian? 
                  One hundred per cent! I was absolutely tickled pink! 
                   
What one thing will you remember about all this in seven days' time? 
                  The incense! I just love the smell of incense in the morning, 
                  particularly when thurifers know what they are doing. | 
             
           
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