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1643: Santa Catalina,
Tucson, Arizona, USA |
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Mystery Worshipper:
Amanda B. Reckondwythe.
The church:
Santa
Catalina, Tucson, Arizona, USA.
Denomination:
Roman Catholic, Diocese
of Tucson. The parish is administered by priests of the
Congregation
of the Most Holy Redeemer, popularly known as the Redemptorist
Fathers.
The building:
A modern Southwestern Spanish style building on attractive grounds
nestled in the Santa Catalina Mountains. The inside is rectangular,
wider than it is deep. In the back is a very nice baptismal
pool with a fountain featuring the Samaritan woman at Jacob's
well. On the right and left walls are what look like oversized
fireplaces, with stained glass where you would expect the hearth
to be. Most unusual for a Catholic church, there are no statues,
votive candles or stations of the cross. The altar and sanctuary
furnishings sit on a raised platform backed by floor-to-ceiling
windows that afford a spectacular view of the mountains. There
were two lit candles on either side of the pulpit, but neither
candles nor a crucifix on the altar.
The church: They conduct religious education for elementary and junior high school children on Wednesday afternoon and evening, and for senior high school students on Sunday evening. They sponsor chapters of the Knights of Columbus and the St Vincent de Paul Society, as well as Guadalupanas, a bilingual society devoted to Our Lady of Guadalupe. There are three traditional masses in English each Sunday morning, plus a mass in Spanish. A youth mass is celebrated each Sunday evening.
The neighborhood:
The bulletin lists Tucson as the church's address, but it is
actually located well north of the city, in the town of Catalina.
Catalina is one of those places where, if you blink while driving
through, you've missed it. There are a few restaurants, a car
dealership, a barber shop, a real estate office, and the post
office, but that's about it. The church sits on the outskirts
of town, literally out in the middle of nowhere.
The cast: The Revd Jimmy Pham, who I gather was sort of loosely assigned to the parish he is not listed among the staff but was well known to the parishioners. This was Father Pham's last mass at Santa Catalina, as he announced that he had been given an assignment in Minnesota.
The date & time: Commemoration of All the Faithful Departed, Sunday, November 2, 2008, 9.00am.
What was the name of the service?
Sunday Mass.
How full was the building?
I counted about 500 chairs, and they were all occupied. The congregation were predominantly senior citizens, with a smattering of young couples, some with small children.
Did anyone welcome you personally?
No. Two gentlemen were sitting at a table outside the main entrance selling newspapers and what looked to be raffle tickets, but they said nothing as I passed.
Was your pew comfortable?
Yes. There were individual metal-frame chairs with upholstered seats and backs, and a pocket in the back to hold the missal. Again, unusual for a Catholic church, there were no kneelers; we stood for the eucharistic prayer.
How would you describe the pre-service
atmosphere?
On a table inside the door there was a large bowl full of communion wafers, a pair of tongs, and a smaller glass bowl. People used the tongs to transfer a host from the large bowl to the smaller one. Inside, everyone stood about in groups loudly visiting with each other. The musicians rehearsed a bit. Everyone took their seats as mass time approached, but there was still lots of loud talking, as before a concert or theatrical performance.
What were the exact opening words of the
service?
"Good morning. Welcome to our eucharistic celebration."
What books did the congregation use during the
service?
A paperback missal/hymnal combination entitled Breaking
Bread 2008.
What musical instruments were played?
Grand piano, electric organ, acoustic guitar, bass guitar, flute and drums. There were also three or four singers.
Did anything distract you?
Just before mass began, I felt something wet on my arm. I turned to see a gentleman entering with a service dog of some sort it may have been a hearing dog, as the gentleman did not appear to be blind. The dog took delight in nuzzling its nose up against everyone sitting on the aisle.
Was the worship stiff-upper-lip, happy clappy, or
what?
A standard novus ordo mass. The entrance procession consisted
of a crucifer and two lectors in street clothes, and the celebrant
in a long, amply flowing white chasuble with the Chi-rho embroidered
in gold on the front. The two lectors gave the Old and New Testament
readings, and a member of the choir came up to the lectern to
lead the psalm. At the offertory, the lectors took the two pulpit
candles and went to the back of the church, from where they
led the procession of gifts (a large glass pitcher of wine,
the glass bowl of hosts, and a basket of monetary offerings
from the collection). They then placed the candles in holders
on either side of the altar. The celebrant's chalice was made
of glass. At the consecration, the celebrant elevated the priest's
host in his right hand and the glass bowl of hosts in his left,
but he only elevated the chalice, leaving the glass pitcher
of wine on the altar. There were no bells. As is usual in Catholic
churches, everyone held hands for the Lord's Prayer, even reaching
across the aisle. The exchange of peace consisted of warm, heartfelt
handshakes no kissing, embracing or visiting. We received
communion under both species, with several eucharistic ministers
coming forward to pour wine from the large pitcher into a series
of glass chalices identical to the celebrant's.
Exactly how long was the sermon?
7 minutes.
On a scale of 1-10, how good was the preacher?
7 Father Pham spoke with an Asian accent and was a little
hard to understand, and I'm not sure he connected up his points
all that well. But his style was friendly and enthusiastic,
and he appears to be well loved by the parishioners. He concluded
his homily by telling everyone how much he will miss the parish
and how he regarded everyone as a good friend this to much
"aawing" and "oohing" and finally applause.
In a nutshell, what was the sermon
about?
He began by reading the catechism definition of purgatory. Purgatory is the state by which we receive holiness to enter the joy of heaven. It is good to pray for the souls in purgatory, and to offer masses for them. He said that he has visited hundreds of sick people in hospitals and has anointed them but they all died. (For some reason the congregation found this funny.) But Pope Benedict has said that we should think of the mystery of death without fear. We believe in Christ, and so we are going to go to heaven.
Which part of the service was like being in
heaven?
For the most part I did not enjoy the music (see below). However,
at communion, the organist suddenly began to play that old Victorian
seat-wetter "Softly and tenderly Jesus is calling."
She played with all the flair and virtuosity of a theater organist
accompanying a silent film, but even so, a palpable hush fell
over the congregation, and if there was an audible sob I'm afraid
it was old Miss Amanda's emotions getting the better of her.
A theatrical rendition such as this is just what that old hymn
needed. Virgil Fox himself would have wept!
And which part was like being in... er... the other place?
But as for the rest of the music it consisted of those vapid,
tuneless, emotionless ditties that pass for hymnody in far too
many Catholic churches. The offertory hymn was a liberal English
rendering of the In Paradisum from the Requiem mass,
but it sounded like everyone sitting 'round the fire at bedtime
in their jammies at summer camp. The recessional was "I
am the bread of life," which is actually one of my favorite
hymns and, when done well, moves forward with a throbbing, urgent
motion. But here it sounded like one of the jingles we sang
in kindergarten that taught us to look both ways before crossing
the street. And at several points throughout the mass, the soprano
soloist and the flautist appeared to vie with each other over
who could produce the most flamboyant descant. The soprano lost
at the Great Amen, as she hit a high note that was decidedly
several pitches under what she was aiming for.
What happened when you hung around after the service looking lost?
Father thanked the musicians (for what? I wondered) and everyone applauded. To their credit, though, the congregation stayed in their places until the final note of "I am the bread of life" had died out due, I am sure, to the fact that the procession remained at the altar until the hymn was done. But then everyone left, and nobody appeared to notice Miss Amanda standing at the back of the church looking sheepish. I took several photos of the baptismal pool, and a woman told me that it had been crafted by a local artisan. She also asked me what I thought of the view of the mountains through the windows behind the altar I replied that they probably look better in late afternoon when the sun has come around.
How would you describe the after-service
coffee?
There was none.
How would you feel about making this church your regular (where 10 = ecstatic, 0 = terminal)?
4 It seemed like a lively and caring congregation certainly friendly amongst themselves, which again is rare in a Catholic church in my experience. But personally I would look for more adherence to tradition, especially in the music.
Did the service make you feel glad to be a
Christian?
Yes.
What one thing will you remember about all this in seven days' time?
"Softly and tenderly Jesus is calling" and the lovely
baptismal pool. |
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